Secrets of The Secret Garden
Bill Clinton may be a tough act to follow, but the cast and crew of The Secret Garden seem to be handling the Roone Arledge stage quite well – or at least they’re putting on a good show. Hannah Goldstein reports from the (secret) final dress rehearsal.
You might say the ‘Secret’ is out of the Box: the passing of Columbia Musical Theatre Society’s biannual black box show, has left the Secret Garden as this semester’s main stage production. At their last dress rehearsal before a two-night run, the cast presented a small audience (including Lucy Simon, the composer of the original score, no less) with a somewhat unconventional twist on the old classic. The performance marks the culmination of the Columbia Musical Theater Society’s long proposal and approval process that lead first-time director Mary Jo Holuba, BC ’12, to take on the non-traditional project.
Unlike the story you may remember, the show is more thematic than plot-driven. Holuba emphasized healing as the driving theme by re-envisioning traditionally inert entities as dancing people: ghosts, plants, and exotic memories take on human form and remained a constant force onstage throughout the two-and-a-half hour performance, whether shifting silently in the background or executing wild turns center stage at movements of high tension. The dancing was, for the most part, entrancing, but the presence of the dancers occasionally distracted from what plot action did occur between the speaking characters as they acted out a story about young Mary Lennox, who comes to life after the death of her parents in an unlikely garden at an English estate. Though the set was fairly minimalist and the pit claims a sizeable part of the stage space, the blocking and choreography easily filled the rest of the space, making for an interesting but occasionally overstimulating show, at least in the visual realm. The music, however, was fitting, well-executed, and effective – ironically most noticeably so when the stage was most crowded.
Tags: discovering the secrets of the universe, musicals, theater
2 December 2009 @ 2:20 PM · 24 comments

Oh sure, there may be budget cuts aplenty on the way, but the Medical Center isn’t about to let the economy stop its discoveries. This time, a team led by Columbia University Medical Center researchers has
Emerging from Fortress Lerner just now, Bwog was nearly mowed down by a swarm of young white male skateboarders, like a Critical Mass for the four wheeled set. They went on for minutes upon minutes — what could this be? Where do they come from? Do they have some kind of skateboarder phone tree?
Bwog Editor Juli Weiner spent the night in the land of
As you well know, Columbia has a
on 





