On Thursday, the Zip Code Memory Project hosted its second installment of Reparative Memory, its virtual artists’ roundtable discussing public art installations as a praxis of grief, collective healing, and remembrance.

David Freedberg’s Iconoclasm, published in 2021, is the result of five decades of foundational study on the topic. On Friday, January 28, Deputy Events Editor Ava Slocum attended the Society of Fellows and the Heyman Center for the Humanities’s discussion of Freedberg’s newest work.