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img April 21, 20175:00 pmimg 0 Comments

The four senior Directing theses

Four Theater majors are presenting their senior theses for the first of two installments of Barnard’s Senior Thesis Festival 2017. One of these theses is centered on Eugene Ionesco’s The Bald Soprano. There will be another showing of The Bald Soprano tonight at 8 pm in the Minor Latham Playhouse in Milbank Hall, Room 118. Admission is free. Bwog Staffer Gloriana Lopez reviews the performance. 

The Bald Soprano is a play by French-Romanian author Eugene Ionesco, in which Director Brittany Searles (BC’ 17) and Set Designer Ruth Hollander (GS/JTS ’17) presented their thesis. Part of the Theater of the Absurd, this play is full of witty commentary on the banality and senselessness of life (quite fitting for Columbia I must admit). Instead of the usual setting in London, England, the production team decided to set the play in the suburbs of Washington D.C. also updating certain aspects of the plot to the 21st century.

The play begins with Mr. Smith (James Ritchie CC’20) and Mrs. Smith (Bailey Coleman BC’19) sitting in their living room, which is covered in clocks. Mrs. Smith talks incessantly about the events that transpired during the evening (although Mr. Smith was also there), while Mr. Smith reads the newspaper. Then, their maid Mary (Madeleine Williams BC ’20) announces that their friends the Martins are waiting on the door. As Mr. and Mrs. Smith change their clothes to welcome the couple, Mr. Martin (Jackson Welles SEAS ’19) and Mrs. Martin (Angelique Nicole Dudley GS ’19) talk to each other as if they just had met and start revealing information that allows them to conclude that they are in fact married.  However, Mary comes in to let the audience know that Mrs. Martin’s and Mr. Martin’s daughters have a red eye and a white eye in different positions.

What happened next, and what did Bwog think about all this?



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img April 20, 20174:51 pmimg 0 Comments

Mitchell S. Jackson contemplates.

The last lecture of a series focusing on voice, Mitchell S. Jackson, someone who “nerds out” over prose and can’t have tea without honey, talked about finding an eloquent voice in creative writing. Bwogger Gloriana Lopez attended the event. 

As I entered Dodge 501, someone gave me a 19-page packet. After considering taking some wine, I wondered if I could actually get away with covering this event by just reading these pages. I would be proven wrong in the following hour.

Mitchell S. Jackson began his lecture by reading a paragraph from a handout that was provided to the audience. He talked about how the eloquence of a writer comes from their philosophies. Using the words of different authors’ opinion on voice, he gave the following advice on finding one’s voice:

What is his advice?

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