1985’s Aida, featuring the stunning farewell performance of Leontyne Price. Nobody handles a 4-minute ovation for one song quite like Leontyne.
1977’s La Boheme with Pavarotti and Renata Scotto. It’s like RENT but better music!
1979’s Otello with Placido Domingo and Sherrill Milnes. Blackface! Shakespeare! Oh god political incorrectness!
2000’s Don Giovanni with Bryn Terfel, Renee Fleming, Ferruccio Furlanetto, and John Relyea. There’s an aria where the Don’s servant lists how many women Giovanni has slept with. It’s a lot. And the whole plot is a hunt for more.
1982’s Lucia di Lammermoor with the incomparable Joan Sutherland. You can also hear Sutherland in her earlier years audio recordings of Lucia, including from her 1961 debut season.
2011’s Lucia di Lammermoor with Natalie Dessay because fuck you Anna Netrebko, this is Natalie’s role.
Highlight: Maria Callas’s only broadcast from the Met is 1956’s Lucia. Hop to it.
Nothing is as giddy as 2010’s Don Pasquale with Netrebko and Mariusz Kwiecien. Blast of laughs, barrel of fun.
La Fille du Regiment, 2008, Juan Diego Florez breaks a 14 year ban on solo encores at the Met because he’s just that good. It’s still thrilling, 5 years later.
2006’s Magic Flute. Everyone’s starter opera. The dancing bears will make you feel like you’re 4-years-old.
Faust from 2011 with René Pape, Marina Poplavskaya, and the gorgeous Jonas Kaufmann. LOL JK THIS IS DARK AS FUCK. But René’s awesome.
2009’s Les Contes d’Hoffmann. Oh this opera is so great and Bwog is overdue in watching it again.
Madame Butterfly, 2009. 1. This stage is breathtaking. 2. Cultural appropriation/feminism/political incorrectness/ok Puccini. 3. Nope, crying too much to talk more about it.
2010’s Hamlet with Simon Keenlyside, the 50-year-old whom Bwog is weirdly super attracted to. Shakespeare, man. Things get weird.
La Traviata from 2012, with Matthew Polenzani (always on point), Dmitri Hvorostovsky (who you probably saw in much different form as Rigoletto for Music Hum this week), and Natalie Dessay (will break your damn heart). Added bonus: the mix of Hvorostovsky and Dessay’s voices in Act II is actually just astoundingly beautiful, even if Natalie wasn’t at her best for this run.
Lucky you: there are old and new versions of the Ring Cycle, for you to decide who did Wagner right.
Get your dose of Eva Marton in 1982’s Tannhäuser and1986’s Lohengrin, both conducted by James Levine.
For more Levine loveliness, watch 1992’s Parsifal and 1999’s Tristan und Isolde.
and we'll never be royals ROYALS
as long as natalie dessay keeps performing in america we'll be happy
but yo guys what do you think about the met's Machine?
bwog can be highbrow sometimes
callas for the soul
music hum will never be the same
tell us what gems we missed in the comments
we're all mad here
your music hum prof would be so proud
Have Your Say
*sigh* If only we could drop politicians from tall buildings instead.