Baby Bwogger Amrita Banerji attended The 126th Annual Varsity Show’s West End Preview at the Glicker Milstein Theatre, directed by Sophia Houdaigui (BC ’21) and produced by Antara Agarwal (CC ’20) and Nakiri Gallagher-Cave (CC ’21).

“Once you overcome the one-inch tall barrier of subtitles, you will be introduced to so many more amazing films,” said Parasite director Bong Joon Ho. 

New Bwogger Candice Choi and Returning Bwogger Solomia Dzhaman review an MFA theatre production of Dutch Kings.

New York City is packed with amazing culture and inspiring art, but sometimes it’s difficult to break the Morningside-bubble and experience it all first-hand. “Where Art Thou” is a weekly guide to interesting and notable lectures, events, and performances for the literary/musically/theatrically-inclined on campus.

New York City is packed with amazing culture and inspiring art, but sometimes it’s difficult to break the Morningside-bubble and experience it all first-hand. “Where Art Thou” is a weekly guide to interesting and notable lectures, events, and performances for the literary/musically/theatrically-inclined on campus.

Internal Editor Vivian Zhou and Staff Writer Daniel Ortega-Venni took a trip down the rabbit hole to see Alice in Wonderland put on by Columbia Blue Gaze Theater. This is what they thought. 

This Saturday, sophomore Staff Writer and aspiring champion of the arts Josh Tate went to see the Barnard theater department’s production of Men On Boats by Jaclyn Backhaus.

Bwoggers Vivian Zhou and Eliza Staples review Latenite, Columbia’s silliest theatre tradition and the only one for which a review could include the phrases “‘beeps’ and ‘boops,'” “orange morph suit,” and “hair emporium.”

Bwogger Eliza Staples went to Columbia Ballet Collaborative’s Fall Performance, which was a beautiful display of skill and artistry here on campus. 

Bwog writer Solomia Dzhaman reviews the Saturday matinee of the recent MFA Acting Thesis production of Where Do We Live by Christopher Shinn, directed by Ron Van Lieu.

On Thursday night, Bwogger Joya Kumar attended the first show of KCST’s A Midsummer Night’s Dream and shares some thoughts on the production.

Dance enthusiast and Staff Writer Alyse Rovner reviews Barnard/Columbia Dances at New York Live Arts, and is here to tell you it’s worth the subway ride downtown.

Staff Writer Victoria Borlando attended the Thursday night premiere of Columbia University Players’ modern adaptation of Anton Chekhov’s The Seagull in the Lerner Black Box Theatre. It was an emotional rendition of this classic play, but it struggled with its production. Here are Victoria’s thoughts.

Bwog’s Saturday Daily Editor, Lauren Kahme, shares a play-by-play of one of Columbia’s most talented and recently formed dance groups. 

This weekend, Bwog staffer Jessica Hu had the chance to attend NOMADS’s (Columbia’s theatre group for student-written plays) showing of “Linguistic Features of AAVE”, a moving play that represents the daily lives of black women in America, written by Kay Kemp (CC ’22) and directed by Madison Hatchett (BC ’22).