To all of my fellow classical music girlies: it’s time. Editor’s note: mentions of death, violence.
Bannerman of the baroque Henry Litwhiler revisits Bach with Miller Theatre’s “Bach, Revisited” series. The title of the series is troublesome. “Bach, Revisited” implies that we had, at some point, left behind one of the greatest composers to ever put ink to paper. It implies, further, that the world had at some point deemed Bach’s works […]
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