Eclectic and exhilarating, Columbia Musical Theatre Society’s production of Natasha, Pierre, & the Great Comet of 1812 entertained with Russian flair.

This 12-song medley took viewers through 11 different musicals, filling the space with an energy and excitement that audiences are sure to remember.

“Where Art Thou” is a weekly guide to interesting and notable lectures, events, and performances for the literary/musically/theatrically-inclined.

“Where Art Thou” is a weekly guide to interesting and notable lectures, events, and performances for the literary/musically/theatrically-inclined.

Drag balls, avant-garde Irish myth, and a city in motion: celebrating a semester of arts at Bwog.

Singing, dancing, laughs, and Santa Fe propaganda.

Bweak a leg!

“Where Art Thou” is a weekly guide to interesting and notable lectures, events, and performances for the literary/musically/theatrically-inclined.

On Friday, April 25, Staff Writer Mary Cook attended CMTS’ brilliant production of Ride the Cyclone.

“Where Art Thou” is a weekly guide to interesting and notable lectures, events, and performances for the literary/musically/theatrically-inclined.

Arts Editor Avery Baumel reviews CMTS’ production of Legally Blonde. 

This Saturday, Deputy Arts Editor Paula Carrión attended the matinee performance of Columbia Musical Theatre Society’s (CMTS) Fun Home, at the Glicker-Milstein Theatre. Content warnings: mentions of suicide and abuse of minors.

“Where Art Thou” is a weekly guide to interesting and notable lectures, events, and performances for the literary/musically/theatrically-inclined.

Use your success to pay it forward.

Anastasia, like every musical I’ve ever played in, was chaos. But also just like every musical I’ve ever played in, it was the best kind of chaos.