@Danielle I can only assume that by”elevators” you mean (noun) “A movable control surface, usually attached to the horizontal stabilizer of an aircraft, that is used to produce motion up or down,” and that by “movable control surface” you truly refer to the incredibly complex and layered sounds that Night Eyes concocts (their sound “moves” within the “controlled space” of each bar, or “horizontal stabilizer of an aircraft,” of their music. Allow me to relate the “horizontal stabilizer” to bars within the “aircraft” of the composition, if music is played and “crafted” through the airspace around us). Now, I understand that you perhaps would prefer Raffi or the Miley Cyrus or the soundtrack to “The Sound of Music”, as you express a blatant desire for what I can only assume to be some strong flavor (see Raffi, “Banana Phone”), moving and standardized melodies (see Miley Cyrus, “Party in the U.S.A”), and “a better vocalist,” (see Julie Andrews, “The Sound of Music”), but I guess that makes you about 5 years old. Whoops. But hey! I’ll give you this one: Night Eyes IS “best suited for elevators,” as I cannot help but be overcome by “motion up or down,”as my body uncontrollably moves to the sound space that Night Eyes forms.

Kudos to an exquisite album, Night Eyes.