What happened at Columbia over the past year was not an isolated episode. It was a window into an ongoing reality that is invisible to most.

Prepare for Manhattanhenge!

A flood of sentimental ballads, empowering messages, and high-energy dances earned this Orchesis shower its May flowers. Internal Editor Manaia Taula-Lieras and Staff Writer Madelyn Avery recount their favorite moments.

The power of the orb… this is my fight song.

On Saturday, April 25, Deputy Arts Editor Sydney Kaufman ventured into the Minor Latham Playhouse for some Tennessee Williams and 18th century psychological horror. Warning for depictions of violence, mental illness, and sexual harassment.

With a new installation in Central London, Banksy is so back.

Have you ever wanted to make your own paint? I sure have, and I finally got the opportunity to do it!

Passing by 121st and Broadway, I saw something incredibly unexpected….

Take a food tour of the Lower East Side!

All roads lead back to Hamilton.

Eclectic and exhilarating, Columbia Musical Theatre Society’s production of Natasha, Pierre, & the Great Comet of 1812 entertained with Russian flair.

So annoying, yet so satisfying when they actually work.

New York City has officially opened its first casino.

Students at Columbia University are using AI to make their workflow more efficient, and their professors are both denouncing and encouraging it.

Staff writer Amy Meng attended a talk featuring science-fiction writer Ted Chiang hosted by the Asian American Initiative, in which he discussed the ethicality, legality, and philosophy behind AI-generated content in the artistic world. Here are some of her takeaways.