On September 12, Editor in Chief Sahmaya Busby attended a concert for the Miller Theatre’s Composer Portraits series celebrating composer, pianist, and 2023 MacArthur Fellow Courtney Bryan. The composer’s music explored refuge, loss, freedom, and the political landscape of the United States.
Free-flowing experimental art shows the importance of freedom of expression.
“Where Art Thou” is a weekly guide to interesting and notable lectures, events, and performances for the literary/musically/theatrically-inclined.
Deputy Arts Editor Avery Baumel reviews Columbia Ballet Collaborative’s Spring 2024 gala performance.
Last Friday, Bwog attended the opening performance of Mayday, Columbia’s 130th annual Varsity Show. This year’s production was directed by Caroline Egler (BC ‘24), and written by Julian Gerber (CC ‘24) and Casey Rogerson (CC ‘24).
“Where Art Thou” is a weekly guide to interesting and notable lectures, events, and performances for the literary/musically/theatrically-inclined.
On Saturday, April 13, Staff Writer Sofie Huang attended the opening of Columbia Musical Theatre Society’s production of Anastasia, which ran on April 12 and 13 at the Glicker-Milstein Theater.
This Saturday night, Staff Writer Paula Carrión attended CU Players production of Sarah Ruhl’s Eurydice.
Last Friday, Staff Writer Jasmine Wright attended the matinee of Sorry Sorry Okay Sorry as part of the New Plays Festival and experienced the flawed humanity of people trying their best. Warning: this play contains themes relating to death, illness, trauma, (and meditation).
On Sunday, April 14, News Editor Emma Burris and Staff Writer Viviana Pereyo went to the Lenfest Center matinee show of Timmy, a stunning new play written by visionary Columbia Playwriting MFA student Megan Rivkin.
Deputy Arts Editor Avery Baumel writes about the magic of dancing in and watching the Colab Performing Arts Collective’s Colab x Molab spring showcase.
KCST celebrates its 30th spring show with an audience favorite.
“Where Art Thou” is a weekly guide to interesting and notable lectures, events, and performances for the literary/musically/theatrically-inclined.
On Sunday night, Arts Editor Isa RingswaldEgan attended an exclusive preview screening of Explaining Elizabeth, a movie musical written and directed by Trevor Siegel (CC ‘24), and contributed to by more than 40 other Columbia students.
A Personal Analysis Of Columbia’s Principles Of Economics Class: Ignoring Reality
December 14, 2024A Personal Analysis Of Columbia’s Principles Of Economics Class: Ignoring Reality
December 14, 2024A Personal Analysis Of Columbia’s Principles Of Economics Class: Ignoring Reality
December 12, 2024In Search Of More Zoë B.’s
December 12, 2024