Mother is God in this collaboration between CU Players and Black Theatre Ensemble.

Last night, the new Lenfest Center for the Arts premiered the opening performance of Anton Chekhov’s “The Seagull,” directed by Andrei Serban. It was the first performance in the Lenfest Center’s Flexible Performance Space, and the first in this year’s season of Acting Thesis productions. Running in repertory (that is, in alternation) with “The Seagull” is […]

This past weekend, the Columbia Musical Theatre Society performed an hour-long musical performance, with lyrics by a Barnard alum.  Culture Connoisseur Hannah Kauders reviews.   The cast of CMTS’s Party Worth Crashing entertained audiences in sold-out performances this week in the Lerner Black Box. In a recent report, Bwog Arts Editor and cast member Kyra […]

The Black Theatre Ensemble performed Adrienne Kennedy’s Funnyhouse of a Negro this weekend on Friday and Saturday.  Visiting reviewer Christina McCarver reviewed. Last night’s BTE’s production of Funnyhouse of a Negro by Adrienne Kennedy served as a reminder of the power of theatre when it is honest, thoughtful, and fearless.  Rebecca Clark (CC ’13), took […]

The fall production of theater group NOMADS (New and Original Material Authored and Directed by Students), American Ghosts, premiered last night in the Glicker-Milstein blackbox theatre, located on LL2 of the Diana Center; the show runs through Saturday, with performances beginning at 8 pm and running a little over an hour. Bwog’s Meandering Medium Marcus Levine […]

Bwog’s comedy correspondent, and Saturday daily editor Bijan Samareh, got his first taste of Late Nite, late last night. He tells it from a freshperson’s perspective. You can see LateNite for yourself tonight and tomorrow at 11pm. When I hear the term “student-written plays,” I dread concept-heavy experimental pieces in which characters recite Shel Silverstein […]