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An Orgo Virgin Walks Into 209…

too many fucking people

The scene

At the last Bwog meeting, we asked who wanted to review Orgo Night. Elizabeth Self asked “What’s Orgo Night?”  We responded, “Don’t worry about it just show up to Butler 209 at 11:30 pm.” So for you this semester we have two accounts of Orgo Night: from an Orgo virgin and a more, uh, experienced participant.

Thursday night into Friday morning I had what I think was close to the most fun I’ve had since I got to Columbia—and I’m not sure if that’s good or pathetic.

At first Orgo Night was just strange. I got into Butler a little after 11 pm, when there are actually people trying to study, and find that 209 is packed. Security guards were clustered at all entrances, which made me wonder just what sort of thing I’d been signed up for. In spite of the rage of that one guy who screamed, “It doesn’t start for another half hour!”, things continued to get loud and people started climbing on top of the bookshelves and desks. Someone would start singing the fight song for no apparent reason, and then everyone, including me, would join in, also for no apparent reason.

When the band marched in I was booted from my perch atop a middle table by two enthusiastic band people. From that point I was awkwardly trapped between the masters of events and the rest of the band, and I thought I would go deaf. Not to mention, as they stood on the desk my eyes were at their crotch level.

I guess it’s good that no one told me what Orgo Night was, because I wasn’t expecting anything, though I didn’t have a clue when I was going to escape from the infernal crush of hysterically stressed students that was hotter than Mississippi Walmart parking lot in July. It went really quickly, though, and the jokes on our behalf (or, at least, the football team), on the rest of the Ivy League’s behalf (“It shouldn’t be harder to get a B than to get the D!”), and more or less everyone else fathomable’s behalf were broken up nicely by the band playing a remarkable selection of pop songs.

A few of my favorite moments:

  • “Honestly, we’re not sure whether the policy is intended to promote celibacy or promiscuity, though incidentally, both are practiced by leaders of the Catholic Church.”
  • “The Director of Dining claimed that even though there was no air conditioning or ventilation in the kitchen, Columbia could only improve the sweatshop conditions “at the expense of students,” which warms our hearts, because that’s never stopped them before.”
  • “But, it’s not really a surprise that a turd-fiend—nay, a poopatrator—goes to Yale: they are obsessed with being number TWO.”
  • “And speaking of shit, Brown!”
  • The look on everyone’s faces as they sang along to “Wrecking Ball.”
  • “They had an anti-child abuse event called “Greek Beats”? And an after-party called “You Can’t Stop the Beat”? That’s like having Beyonce perform Single Ladies for Nelson Mandela’s widow.”
  • “That’s why PrezBo’s hair is so big—it’s full of secrets.”


not doing it right

Come on man

Senior Alexandra Svokos puts the script into context.

Compared to my last seven semesters here, this one has been incredibly tame. I mean, we haven’t once had to set up overnight shifts to monitor comments. With this in mind, I was seriously concerned about what the Band would dig up to discuss. This concern was valid. It was a much milder Orgo Night than any others I’ve seen, less Columbia-specific and widely offensive. That’s not necessarily a bad thing and not a fault of the Band’s—they did what they could with the materials at hand.

The opening subject was the Barnard sign-in policy. Rather than having a go at Barnard girls, as one might expect, the Band instead took swipes at the silliness of both the Barnard and Columbia administrations for not being able to get their shit together in terms of a swipe-in policy. “The Columbia swipe-in situation is an absurd policy for a University that constantly claims to cultivate a sense of cum-munity,” they remarked, going on to make a Gloria Steinem/Phyllis Schlafly joke that led everyone around me to remark “I didn’t get it…”

Following this, the Band moved on to discuss SWS and the call for better working conditions for the dining staff.  It was a pretty decent section, full of standard jokes on the quality of Columbia dining hall food/facilities. They then played “Fuck You” for like the eightieth time, but the freshmen got a kick out of it.

Moving on, the band took some time to shit on the other Ivies. Yeah, that’s how boring this semester at Columbia was—CUMB had to resort to making Yale poop jokes. But those jokes were hilarious! Definitely a highlight of the night, really kicking in on the other schools. Not sorry for making Brown a recurring punchline. True to form, UPenn was not once mentioned. Bwog silently chuckled on realizing that.

Finally we got around to the f-word. Per policy, we can’t really talk about this section, but it sucked less cock than a Barnard girl on her period. #turnitblueballs

Next, the band spoke about the rising conversations on racism that have popped up this semester, cleverly stringing together several of the big discussions—Top Girls, Vagina Monologues, Greek Beats. The focus was mainly on how crazed all of y’all get over the smallest thing, concluding with some great wisdom: “there is something to be said for being constantly offended by the smallest of perceived transgressions, because it allows you to go through life without having to apply critical thinking to a single fucking thing you see. Look; if you want to see some really racist shit, dress up like a Sikh professor and take a walk in Harlem.”

To close out the night, CUMB spoke about sexual assault policy. Again, this could have gotten real rough—like seriously offensive, shocked faces everywhere, raised eyebrows, etc. etc. But instead, once again, the Band chose to spew at the administration, ’Bo specifically, and call them out for being so utterly useless on this/every major conversation on campus. Daphne Chen got a personal shout-out for her Spec op-ed, the op-ed boys were finally called out for their “masturbatory dialogue on the Jewish White Man’s burden,” I started to think that the only way to get personally called out at Orgo Night is to write a Spec op-ed (remember Lanbo last semester?), and the Band rounded out with their usual Orgo jokes. Fun fact: Orgo Night isn’t actually the night before the orgo exam. Good luck to everyone on Monday!

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  • Anonymous says:

    @Anonymous Finally CUMB learns that satire mocks those in power, not the people that suffer under them every day (looking at you, too, Family Guy). Now if only people at this school would do their research on microaggressions and why they are not at all divorced from instances of physical violence. But given the mostly white crew of writers/performers (and the white editor reviewing them…) I’m not surprised.

    1. no says:

      @no no. not necessarily. there has been a bunch of critical writing that questions satire as means of subversion, and some theorists have gone far as to say that satire merely reasserts the dominant power structures.

      1. oh seriously says:

        @oh seriously satire reinforces dominant power structures? does everything reinforce dominant power structures? are we all powerless automatons unable to alter the dominant power structures in any way shape or form?

        how about you go back to your critical reading and writing.

        1. PrezBo's Politically Correct Complaint Crew: says:

          @PrezBo's Politically Correct Complaint Crew: Let’s all fight about why we hate CUMB for slightly different reasons because that’s a totally productive use of our time and really contributes to each of our “hugely different” goals because if you’re not with us you’re a racist! #ExactlyWhatTheBandPredicted #RacismJoke #TheyreOnYourSideYoureJustTooDenseToKnowIt

  • Anonymous says:

    @Anonymous fucking Canadians

  • 2 B Fare says:

    @2 B Fare they said NYU and UPenn are desperately trying to gain admission into the exclusive Ivy League.

  • Not feeling this says:

    @Not feeling this asking freshmen to review everything. Where art thou, seasoned writers of Bwog?

    1. #readbwogbetter says:

      @#readbwogbetter Bwog’s editor also reviewed it.

      1. Yes says:

        @Yes you’re right but I meant more broadly across all the bwog reviews

        1. Anonymous says:

          @Anonymous everyone starts as a beginner, and everyone eventually graduates from bwog

  • i see you says:

    @i see you Ben Coombs. Working it like a model

  • Anonymous says:

    @Anonymous She didn’t suspect a thing.


  • Anonymous says:

    @Anonymous Another hit review. Keep ’em coming!

  • Heisenberg says:

    @Heisenberg I think in this discussion of the lack of noteworthy events that occurred this semester, we might forget how bad both the stand-up comedians were. Their delivery just did not measure up to the people last year.

    1. Anonymous says:

      @Anonymous Orli was awesome she made saying cunt and the n-word seem charming

      1. i says:

        @i “Jay-Zed’s hit single ‘Holy Grail'”

    2. Anonymous says:

      @Anonymous Orli was amazing she made saying cunt and the n-word seem charming

    3. Orli says:

      @Orli I thought Orli was awesome and made saying “cunt” and the n-word seem charming

      1. Orli says:

        @Orli figured i’d own up to my masturbatory dialogue

      2. Anonymous says:

        @Anonymous i downthumbed this on accident

    4. MK Ultra says:

      @MK Ultra @Heisenberg:
      You’re a dramatic fictional character your input on comedy is irrelevant.

      1. to be fair, says:

        @to be fair, he could also be a dramatic real-life physicist known for his work with quantum mechanics. #themoreyouknow

        1. It's really says:

          @It's really @to be fair,: uncertain

    5. Anonymous says:

      @Anonymous orli kicked ass

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