Staff writer Sydney Gerlach attended the December 15th live stream of the 15th Annual XMAS! show, Panic! At the Office, for an hour and a half of fun and humorous holiday hi-jinx written by Angela Lee (CC ‘22) and Ellie George (BC ‘23), and directed by Jack Becker (CC ‘21). 

Staff Writer Grace Novarr reviews the Barnard College Department of Theatre’s production of Stupid Fucking Bird by Aaron Posner, directed by Colette Robert.

Staff Writer Grace Novarr attended the YouTube live premiere of Miscast 2020, Columbia Musical Theater Society’s homage to the traditional Broadway fundraiser. 

New York City is packed with amazing culture and inspiring art and now with so much of it online for free, there’s never been a better time to experience it first-hand. “Where Art Thou” is a weekly guide to interesting and notable lectures, events, and performances for the literary/musically/theatrically-inclined.

New York City is packed with amazing culture and inspiring art and now with so much of it online for free, there’s never been a better time to experience it first-hand. “Where Art Thou” is a weekly guide to interesting and notable lectures, events, and performances for the literary/musically/theatrically-inclined.

On Sunday night, Barnard College’s Shange Magic Project, along with Beacon Press and the Shange Literary Trust, honored the late poet and playwright Ntozake Shange (BC ‘70) and her posthumously published book Dance We Do: A Poet Explores Black Dance.

On Saturday evening, new Staff Writer Grace Novarr opened her laptop and attended the Barnard College Theatre Department’s production of “Electra,” which was live-streamed on Vimeo on Thursday, Friday, and Saturday. 

Staff writer Mary Qiu listened to Shipwreck: A History Play About 2017, a free podcast production made available by the Public Theatre, that examines Trump’s rise to power, scrutinizes liberals’ language surrounding Trump, and explores the divides in our society.

New Staff Writer Anna Eggers attended a book talk by Nicole Fleetwood about her new book Marking Time: Art in the Age of Mass Incarceration sponsored by the Schomburg Center for Research in Black Culture.

Updates from this weekend’s Kickoff, hosted by Columbia University Performing Arts League.

Bwoggers Vivian Zhou and Eliza Staples review Latenite, Columbia’s silliest theatre tradition and the only one for which a review could include the phrases “‘beeps’ and ‘boops,'” “orange morph suit,” and “hair emporium.”

Staff Writer Victoria Borlando attended the Thursday night premiere of Columbia University Players’ modern adaptation of Anton Chekhov’s The Seagull in the Lerner Black Box Theatre. It was an emotional rendition of this classic play, but it struggled with its production. Here are Victoria’s thoughts.

Thursday night, Caroline Mullooly attended Cultural Heritage Practices & Critical Fashion: How Does (High) Fashion Interpret Cultural Heritage?, a workshop and exhibition at the Italian Academy.

Paola Antonelli, Senior Curator of Architecture and Design at MoMA, came to the Lenfest Center to deliver a talk on her recent exhibition at the Triennale di Milano, Broken Nature, and discussed it with Amale Andraos, Dean of the Columbia School of Architecture. Tl;dr, a big chunk of the exposition is coming to MoMA in 2020 […]

This Tuesday, Columbia University was fortunate to welcome Dr. Thomas Laqueur for his lecture “The Aura of the Dead in a Disenchanted World,” as part of the Institute for Religion, Culture, and Public Life’s series Death and After. Bwog staffer Jane Walsh and Arts Editor Riva Weinstein sat in on the talk.