Eclectic and exhilarating, Columbia Musical Theatre Society’s production of Natasha, Pierre, & the Great Comet of 1812 entertained with Russian flair.

Staff writer Amy Meng attended a talk featuring science-fiction writer Ted Chiang hosted by the Asian American Initiative, in which he discussed the ethicality, legality, and philosophy behind AI-generated content in the artistic world. Here are some of her takeaways. 

Celebrating their 20-year anniversary as a dance team at Columbia, Onyx created a space where the audience could watch colorful and fun performances while also learning about and celebrating the Black foundation of hip-hop.

“Where Art Thou” is a weekly guide to interesting and notable lectures, events, and performances for the literary/musically/theatrically-inclined.

The new exhibition at MoMA (~ 8.22.2026) explores the world of Marcel Duchamp, the consummate iconoclast of 20th-century modern art.

If you’re thinking about getting rush tickets for just one Broadway show, make it The Cursed Child.

On Sunday, April 19, Columbia University Ballet Ensemble (CUBE) presented their spring show, “A Midsummer Night’s Dream,” in a stunning performance.

“Where Art Thou” is a weekly guide to interesting and notable lectures, events, and performances for the literary/musically/theatrically-inclined.

Bwog Arts Staff Writer Amy Meng recently sat down with Jessica Liu (BC ’26) to discuss her adaptation of Timon of Athens as the King’s Crown Shakespeare Troupe (KCST) Spring 2026 production and role as the show’s director. 

On April 10, Staff Writer Keahi Harper ventured into the world of Columbia University’s comedy clubs and left feeling a strong sense of community and admiration.

“Where Art Thou” is a weekly guide to interesting and notable lectures, events, and performances for the literary/musically/theatrically-inclined.

This 12-song medley took viewers through 11 different musicals, filling the space with an energy and excitement that audiences are sure to remember.

Deputy Arts Editor Sydney Kaufman attended the closing night performance of Swallow & Otter on April 4th in the Glicker-Milstein Theatre.

Ro Reddick’s new play entertains and endears with humor, cults, and Russian intrigue.