“Where Art Thou” is a weekly guide to interesting and notable lectures, events, and performances for the literary/musically/theatrically-inclined.

“Where Art Thou” is a weekly guide to interesting and notable lectures, events, and performances for the literary/musically/theatrically-inclined.

Content warning: Mentions of irregular/disordered eating. Deputy Arts Editor Avery Baumel reviews an MFA Directing Thesis at Columbia’s School of the Arts.

“Where Art Thou” is a weekly guide to interesting and notable lectures, events, and performances for the literary/musically/theatrically-inclined

“Where Art Thou” is a weekly guide to interesting and notable lectures, events, and performances for the literary/musically/theatrically-inclined.

The Shakespeare Festival presented a thrilling Take Two of Shakespeare. 

Staff writer Olivia Chiroiu reviews Dancing at Lughnasa, directed by Miguel Bregante (SOA ‘24), which ran at the Lenfest Center for the Arts from October 19 to October 22.

Guest Writer Ava Markhovsky walks you through what really goes on at CUPAL Auditions.

On Friday, March 24th, I attended the 8:00 pm sold-out opening night showing of NOMADS’ newest musical, John & David.

Elena’s greatest piece of advice: the best place to meet Elliot Page is on a Riverside Park mental health walk.

On Thursday, December 8th, Staff Writer Frankie DeGiorgio attended opening night of the Barnard Theatre Department’s second production, Fedra, Queen of Haiti, at the Minor Latham Playhouse.

Staff Writers Isa RingswaldEgan and Phoebe Mulder attended the opening night of the Pirandello Project. Editor’s warning: mentions of suicide.

Directed by Giuliana Russo (BC ‘22) and written by Harris Solomon (CC ‘22) and Nurasyl Shokeyev (CC ‘22), the 128th Annual Varsity Show returned to Roone Auditorium on April 29, April 30, and May 1.

When I Consider Everything That Grew, written by Talia Hankin, CC ‘22, and directed by Camilla Cox, CC ‘22, was put on for just two days last week by NOMADS. Despite that, the play, starring Taylor Richardson, GS ‘25, and Elias Wachtel, CC ‘25, will remain relevant far beyond for its poignant questioning of what […]

Broadway’s back, baby!