Barnumbia’s Fall Dance department showcase was a night of strong, experimental, and emotional performances.
Bwog staff writers Marlee Turner, Avani Chaudhry, and Lynn Kim spent their Thursday evening in Lerner’s Blackbox Theatre for Latenite’s 49th Fall Anthology!
Acclaimed visual artist Shahzia Sikander spoke last Thursday in a co-presentation by the School of the Arts and the Wallach Art Gallery on the powerful meaning of her work and artistic practices.
Arts Editor Avery Baumel reviews CMTS’ production of Legally Blonde.
On Friday, November 13, staff writer Amélie Acevedo attended an original play titled Baby’s First Crazy Kiss Story, presented by NOMADS.
Be it fall or winter, the Yorks and Plantagenets were ready to battle it out in KCST’s vibrant staging of this classic Shakespeare play.
“Where Art Thou” is a weekly guide to interesting and notable lectures, events, and performances for the literary/musically/theatrically-inclined.
CRB laid out a wide range of classical and contemporary ballet works in their Fall 2024 Gala, featuring six pieces.
On Sunday, November 11, Publisher Ava Slocum attended Columbia University Ballet Ensemble (CUBE)’s production of The Nutcracker at the Manhattan Movement & Arts Center downtown.
This Saturday, Deputy Arts Editor Paula Carrión attended the matinee performance of Columbia Musical Theatre Society’s (CMTS) Fun Home, at the Glicker-Milstein Theatre. Content warnings: mentions of suicide and abuse of minors.
“Where Art Thou” is a weekly guide to interesting and notable lectures, events, and performances for the literary/musically/theatrically-inclined.
“Where Art Thou” is a weekly guide to interesting and notable lectures, events, and performances for the literary/musically/theatrically-inclined.
David Henry Hwang and Leigh Silverman discussed the experience of writing and directing their Broadway production Yellow Face at the Lenfest Center of the Arts.
Maya Krishna Rao performed “You Really Want to Know My Story?”—Tales of Incarceration and Death Row in India, hosted by Barnard’s Movement Lab and Columbia’s South Asia Institute.
As a part of the curriculum, Barnard’s Shakespeare I class gives students the opportunity to attend a production of one of his many plays, find a specific directorial choice that we found interesting, and present an oral exposition on that topic.
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