Bwog reviews Orchesis’ spring showcase InterstellOrchesis, which ran for two performances in Roone Arledge Auditorium on Friday, April 5.

A (competitive) night of celebrating African dance, storytelling, and music.

“Where Art Thou” is a weekly guide to interesting and notable lectures, events, and performances for the literary/musically/theatrically-inclined.

On Thursday April 4, Social Media Editor Tal Bloom attended Nomads’ production of No Hay Revoluciones Sin Canciones, written by Izabella Lizarazo.

On Monday afternoon, Arts Editor Isa RingswaldEgan sat down with student filmmaker,  Trevor Siegel (CC ‘24), and student musician who scored the film, Terry Foley (GS ‘24), to discuss their new movie musical, Explaining Elizabeth.

On Friday, March 29, Staff Writer Sofie Huang attended the opening of Columbia Musical Theatre Society’s production of Footloose, which runs March 29 and 30 at Roone Auditorium.

Erika Avallone BC ‘26, Bwog Staff Writer, undergoes a characteristic change at The MaMa Project 2024. Now, she will protect bugs with her whole heart and soul.  

“Where Art Thou” is a weekly guide to interesting and notable lectures, events, and performances for the literary/musically/theatrically-inclined.

Gail Archer delivers an excellent selection of organ music, highlighting Bach’s influence on the classical music world. But what is B.A.C.H. an acronym for?

If you didn’t see this you really missed out, so I very much hope you saw it.

Mother is God in this collaboration between CU Players and Black Theatre Ensemble.

If this showcase didn’t make you want to become a dance major, then what are you even doing?

“Where Art Thou” is a weekly guide to interesting and notable lectures, events, and performances for the literary/musically/theatrically-inclined.

“Where Art Thou” is a weekly guide to interesting and notable lectures, events, and performances for the literary/musically/theatrically-inclined.

Deputy Arts Editor Avery Baumel reviews Catalina Beltrán’s masterful directing thesis.